Workshops & talks

We do workshops and lectures on the topics on which our work is based. Also online!

Contact us if interested.


“Scenic procedures in non-conventional spaces”

(Online – for participants from all over the world. September + October 2021)

In these meetings we want to think about stage work outside the theater. It is about taking our environment as territory and scenic laboratory. To perceive the place we inhabit, to analyze the different spaces, the materiality and the signs, the sensitive and political cartographies, the dramaturgies and theatricalities.
The seminar is theoretical and practical. We will look at different texts by authors who address the intersection between city, urbanism and performing arts and we will introduce in each class different procedures on three fundamental axes: the documentary, the fictional and the performative. In addition, some historical and contemporary proposals made by different groups and artists working in non-conventional spaces will be shown and analyzed.
Between each meeting, the participants will carry out a small practical exercise in their places of residence, each one dedicated to the different scenic procedures presented in class.


“Theater and new technologies: A conflictive relationship?”

(As part of the series of talks “Art and Technology”, organized by the Municipality of Córdoba, 2022)

In the talk we reflect on immersive experiences, virtuality, digitality and interactivity in theater. We see what advantages and problems exist and are discussed in the field of performing arts in general and in the local scene in relation to these issues.


“The city as stage and dramaturgy”

(Online – for the Festival “Escena Gualeguaychú”, Argentina. October 2021.)
(Online – for the project Audiotour Beckett, organized by Cia do Trailler. São José dos Campos. Brazil. June 2021)
(Online – for PLANTEL residencia artística, organized by Mula Cultura. Argentina. May 2021)
(Online-Workshop within in the multidisciplinary laboratory “Afluente errático – cruce de miradas y prácticas artísticas” organized by Irreal Academia. Argentina. October 2020.)
(University “Universidad Andina Simón Bolivar”, Quito (Ecuador), within the framework of the Sudaka Festival, November 2018)
(Pedagogical University “Universidad Pedagógica Nacional Francisco Morazán”, San Pedro Sula (Honduras), organized together with Humboldt-Institut San Pedro Sula, December 2018)
(Espacio Centralia, Córdoba (Argentina), November 2018)

In this workshop we will examine theoretical elements of theatre and the scenic arts in relation to the urban space and non-conventional spaces. Different scenic projects will be analysed in which the city is taken as a stage.

We also present the different ways in which the urban space can be taken as the basis for dramaturgy. The relationship between reality and fiction is studied, as well as how performing arts and technology are interrelated. In the practical application, the participants are invited to perform different exercises related to the observation of urban space and the format of “Fictional Audiotour” in order to put together some sequences of a possible work.
The objectives of the seminar are: To show an overview of contemporary theatre as well as analysing how the urban environment can be seen as a stage and basis for dramaturgy, and to provide participants with a space for experimentation.


“Between reality and fiction – urban space as a stage”

(Series of events «En la calle» (In the street)– “Residencia de paso III” / Campo de Cruces. Córdoba, Argentina. 2019)
(Congress “Escenas Reales II” / University of Chile. Santiago de Chile, Chile. 2019)
(Forum of the event “Ciudades Visibles” (Visible Cities). Córdoba, Argentina. 2014)
(1. Congress of Dramatic Writing in La Plata. La Plata, Argentina. 2014)
(SESC Santos. Santos, Brazil. 2012)
(International Theatre Festival Cena Contemporânea. Brasilia, Brazil. 2012)
(Encounters “Encuentros AvLab”, Córdoba, Argentina. 2011)

Theoretical/practical workshop aimed at giving a brief overview of the new work in the scenic arts regarding the friction between reality and fiction, a trend that has formed over the last few years. It also discusses the relationship between space (urban and otherwise) and the scenic arts, a topic that in the group’s work is closely linked with the above mentioned trend. We take a deeper look at some aspects of the method of historical, sound and dramaturgical research, etc.

Participants are also given the chance to create a small practical project, experimenting with one of the methods presented.


“Documentary Theatre and the Internet as a medium”

(El Ranchito / Matadero Madrid. Madrid, Spain. 2012)

Through a dialogue between scenic creators Cecilia Pérez-Pradal with Cía Puctum from Madrid, and Ariel Davila and Christina Ruf of the group BiNeural-MonoKultur from Cordoba-Argentina via Skype, both groups collaborate to examine the main features of documentary-theatre and reflect on specific non-fiction and virtual scenic practices.

The fundamental issues of the Talk: to reflect on the most important features of new documentary and virtual theatre, within the framework of post-dramatic theatre, watching (on DVD) and discussing a selection of collaborative works by Puctum and BiNeural-MonoKultur, emphasizing Conectados (Connected) created in El Ranchito Residency, and homo-migrator.www (of the series Virtual Performances – laboratory for virtual theatre).


Theater, “artivism” and environment – Deconstruction of the stage play “eRRor”

(Theater Stadttheater Bremerhaven (Germany). 2013)

Participation at the conference via Skype of the transdiciplinary festival “Odyssey : climate” (Bremerhaven, Germany).
We talked about how we incorporate the themes climate and environment in our works and especially about “eRRor – a game of tradition and treason“.